I keep projects moving by translating creative intent into performances that get approved, early and efficiently.

I direct from inside the performance, not above it. I’ve been the actor, the director, and the client in the room, which means I hear what everyone is trying to say — and am able to translate it into something immediately usable. I don’t intellectualize notes or stall sessions with theory. I shape performances in real time, keeping actors grounded, creatives aligned, and projects moving forward. The result is fewer passes, quicker approvals, and sessions that end with decisions made.